Let's talk about a movie that's very near and dear to my heart: Seven Samurai. This Akira Kurosawa classic is about seven samurai hired by a poor village to protect them for a band of bandits. It stars the amazing Toshiro Mifune and is three hours of complete awesome. I don't usually like showing this movie to other people because they usually don't enjoy it, or get bored and walk away, or fall asleep, which bothers me because this movie actually means something to me. Still, let's dish.
I'd first heard about Seven Samurai from the place I get most of my information on what's good in film or music: my brother. He'd mentioned that the NuArt theatre in Santa Monica was playing various Kurosawa movies over the course of a few weeks as a sort of Kurosawa film festival, and that he'd wanted to go see some of them but unfortunately, had no one to go with.
I was a sophomore and had, at this time, no real knowledge of or interest in Japanese anything. I was going through a little anime phase but still wasn't terribly interested. He spoke very highly of Kurosawa and of Seven Samurai more specifically and really wanted to so in the end, I consented.
We ended up seeing Rashomon.
Rashomon is an amazing movie, too, don't get me wrong. One of Kurosawa's other classics, it's won awards and accolades up the wahzoo. It has an interesting story retold by interesting characters and is deserving of every kind word it receives. But as I watched it, all I could think about was the movie trailer they played for Seven Samurai before it.
The trailer had no fancy special effects. No cliffhanger splicing. No Don Lafontaine. In fact, at first, the movie seemed like it would be pretty uninteresting, if the trailer was any indication. Then it got to the end. I can still hear the powerful, heavy drums that accompany the still shots of Mifune sloshing and brawling in the rain and mud, beating like drums of war. And when they played clips from the battle, with bandits dropping from their horses into pools of muddy water and villagers spearing their would-be assailants and the thundering of horses contesting with the drums on the audio track, I knew I had to watch this movie. The grit and the dirtiness and the completely unbeautiful warfare of the scene were unlike anything I had seen up until then. How could I possibly concentrate on Rashoman when I had just tasted this?
We came back the next week for Seven Samurai. Immediately we knew that this was the Kurosawa movie to see. While we just walked into Rashoman, this movie had a line out the door. It was winter, and, not having proper winter clothing, I was cold as hell. It didn't matter, though, because I spent a week waiting to see this movie and no 60 degree temperatures (cold for LA, ok!) were going to ruin this movie for me.
We waited outside in the cold for half an hour, sort of eavesdropping on people in line behind us talk about the first time they saw this movie years and years ago. When we finally got into the theater, it was heaven. The warm, comforting theater was a sanctuary from the cold, and let me tell you: the movie did not disappoint. It was, without a doubt, the single best movie-going experience I have every had in my life.
There are too many amazing lines and scenes from the movie for me to take the time to praise and celebrate properly, but there was one more aspect of that original viewing that I've never been able to forget: the subtitling.
Being a foreign language film, Seven Samurai required subtitles (because dubbing sucks) and the cut we were seeing boasted a brand new translation which had apparently just recently been released. It wasn't a drastic change from the other translations. Some lines were only subtly tweaked or modified. It was nothing major, but every other time I've watched this movie (a lot) I've never been able to read what I consider to be some of the best lines of the movie the way I remember them from my first viewing. Because of this, I've never seen anything quite as good as Seven Samurai. Not even the same movie.
The only bad thing that I have to say about this movie is that Keiko Tsushima was not an attractive girl. No wonder she was able to pass for a boy, yeesh.
So why do I love this movie? Because the very first time I saw it, I adored it and everything about it down to the peripheral aspects of the experience like the weather and the video store we parked by. Every time I watch this movie again, I'm transported, just a little, back to the first time I watched it. Back to that warm, little theater were I fought off the cold and stared with big, sparkling eyes at one of the finest films ever created.